Gawker Media dark overlord Nick Denton (pictured) has launched a new pay system for all Gawker Media blogs, after testing it at four of his leading sites. Denton's goal is to discourage "self indulgent" posts and "mind-numbing frequency" in favor of "linkworthy material, by which I mean a secret memo, a spy photo, a chart, a well-argued rant, a list, an exclusive piece of news, a well-packaged find." Where does a self-indulgent secret memo fit on that axis? I guess we'll find out after the jump.
From: Noah Robischon Subject: Editor Newsletter - 2008 Preview Edition Date: December 31, 2007 11:42:12 AM PSTIn January, as you've no doubt heard, Gawker editorial is introducing a new bonus system. While your base monthly pay remains the same, the chance of a bonus will depend on your individual performance. More specifically: it will depend on the popularity of your posts that month. Below, an explanation of the background to the move; why now; and how the new system works.
1. BACKGROUND
It's only on the internet that a writer's contributions can be measured. At newspapers, a reporter's reputation depends on the opinion of their editors, which can be fickle. Some people get on because they play the office politics well. Or simply because they're more aggressive in lobbying for more prominent jobs, or pay increases.
Advertising people say that the internet is special, because the audience's engagement is so much more measurable than that of newspaper readers, or television viewers. Which makes it so bizarre that most writers, on the internet as in print, are paid for the sheer brute quantity of their output.
Gawker has been equally backward. Sure, we pioneered the pageview bonus system, which rewards all writers for a site's performance. But, let's be honest: those bonuses have been allocated subjectively. And, in the large, writers have been rewarded, at $12 a post, for mind-numbing frequency. When we've paid a higher rate (the $200 "feature" rate) we've often not been rewarding better pieces; merely encouraging the padding of perfectly good, short items.
In short, we have repeated the bad habits of traditional media organizations: leaving remuneration to the arbitrary will of upper management; and, by treating words as if they were Soviet steel output targets, encouraging quantity over quality.
2. WHY NOW
Early on in the commercial blog era, frequency was the key to the success of a site: Engadget took a lead because it churned out 24 posts a day while Gizmodo, fearful of overwhelming its audience, stuck to a dainty dozen items. We learnt that lesson, and vowed never to be out-produced again. But we now really are reaching the limits of sheer volume. Readers can't take any more. And the proliferation of blogs, and social news services such as Digg, has changed the rules.
Where there was a shortage of attitude and commentary, there's now a surfeit. And what's in heavy demand, and short supply, is linkworthy material, by which I mean a secret memo, a spy photo, a chart, a well-argued rant, a list, an exclusive piece of news, a well-packaged find. Gina showed on Lifehacker, with the style of feature she pioneered a couple of years ago, that it was possible to grow a site's audience without endlessly increasing the number of posts.
Second, our objective is not merely to provide gratification for a writer, or amusement for their pals, but to appeal to the wider readership of a site, and to new readers who might discover it through Digg or Google or some other link. It's fine to pen the occasional self-indulgent or self-referential item. But we're not going to waste the editorial budget on them, when we're investing so heavily in the sites. We need a more efficient form of bonus compensation — and one that's fair to the writers who care most about their readers.
Third, the market for editorial talent is becoming more competitive. If a writer works like hell, or sparkles, we always run a risk: that somebody outside the organization notices before the news trickles up the management hierarchy. We need a mechanism to reward hard work, and stardom — to dispense pay increases automatically, if you will.
3. HOW IT WORKS
For several months now, we've displayed the number of views each item receives. It's not a perfect measure. The view count does not reflect attention paid to the posts on the front page; nor photo galleries (which are usually junk views anyhow); and it can overstate the value of cheap items with superficial appeal, but which damage a site's reputation. Nevertheless, it's the best measure we have, so we're going to use it to calculate bonuses.
From now on, you will be paid a set monthly fee. This is the total amount of money outlined in your editorial agreement or determined between you and your site lead. The era of counting posts that are worth $12 or $200 is over. You will be expected to contribute a set number of posts each month in exchange for your monthly base pay.
On top of your monthly base pay, you will be eligible for a bonus based on the number of pageviews your posts receive each month. This total includes any pageview on any story with your byline that was read during the month, even if the story is months or years old. You can track your monthly total here: (Click your site name in the rollup data section along the very top of the page).
Each site will be assigned a pageview rate, which is the dollar amount that each 1,000 pageviews on the site is worth. Although this sounds similar to an advertising CPM, this number has nothing to do with your site's revenue or advertising value. At the end of the month, if the money you earn in pageviews exceeds your monthly base pay, you will be paid the extra money as a bonus.
This chart should make it clearer. If your site has a PV rate of $5:
$2,000 = 400,000 views:
$5,000 = 1m views:
$7,000 = 1.4m viewsBased on this example, if your base pay is $2,000 per month then you would need to get upwards of 400,000 pageviews to begin earning bonus. A total of 500,000 views would earn $500 bonus (or $2,500 total pay).
Your site lead will be able to tell you the pageview rate for your site, and give you a chart like this one to for calculating bonus.
For the majority of sites, there is no cap on the amount of bonus you can earn each month. Four sites are already using the new bonus system (Gawker, Wonkette, Gizmodo and Defamer). One guest editor on Wonkette landed a huge exclusive and walked away with an extra $3k in his paycheck.
-Rules Of The Road-
* The pageview rate for each site will change at the beginning of each quarter. It cannot be changed at any other time.
* This bonus will replace all other bonuses that now exist.
* Site leads do not take part in this system. They are still measured on overall site performance.
* The site lead has the right to revoke pageviews on any post. This is to guard against the publication of material that may be inappropriate or illicit, and we hope it is never necessary.
The site leads have more detailed information about all of this, and can share specific numbers for your site to give you a better sense of how your pageviews will translate into bonus.
Please send questions to so that we can round them all up and answer for everyone.
All best,
- Noah and Nick





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Comments
Time to make nice with the Famesource guys, eh?
Ah so it is all just a pyramid scheme. Brilliant Nick!
Can the dark one rescue us from the writer's strike while he's at it? Gawker executions are the only reality tv i can stomach.
Gee, that's a great idea. I'm sure no one would ever once consider using zombie PCs to increase their monthly bonus.
Time for Gawker writers to brush up on their click fraud skills!
Remind me, whose father is Nick Denton (pictured) ?
Note to writers: Among the many ways you're being scammed, any post that can be mostly or entirely read on a "front page" will never earn you a cent.
@ScalaWag: I did always think the relationship between pictured and his master a bit homo-erotic, but I have no idea where the kid came from.
Were Noah and Nick getting paid by the word for that memo thing?
'Cause that's some long-assed shit.
NICK! You're my father!
But I'm still not sharing the Brit-Lindsay Lesbo romp pictures until you start paying $13 per post.
Like the rationale but the same factors cited argue for a direct revenue share between Gawker and your bloggers? Do we need the intermediate steps?
From now on, I resolve to always click on the "most clicked on posts" post. The stats robot is obviously the hardest working Gawker employee, and most deserving of a bonus.
@scalawag: How quickly people forget. The Luke Skywalker to Denton's Darth Vader is, of course, Peter Rojas.
that actually sounds like a great idea.
Is the disappearance of snark-a-licious alt text from all Gawker Media blogs and going with purely SEO-friendly "click here" dreck also a part of the Denton year-end edict?
The last remnants of the Old Gawker editorial system have been swept away. Fear will keep the core contributors in line.
Fear of Imperator Denton!
Paying for performance. More follow Associated Content's model!
What do tipsters get for a good tip?
@schvitzatura: An intriguing question. I'd answer it if I had even the slightest idea what you were talking about.
@rebump: Gratitude has no CPM.
@Owen Thomas: Vwag sister site, Wonkette employed copious use of image alt tag editorial comments; that all seems to have gone within the last two weeks of 2007, replaced by simple "click here" relinking to same stories.
The last three sentences? Crappy Star Wars references...
Commission against guaranteed draw. What a novel concept.
@schvitzatura: I think that has more to do with a changeover in editorial talent, with the new hires simply being unfamiliar with the art of alt tags. Ken Layne, I hear, is returning to Wonkette, so you may be welcoming your alt tags back.
@popsocket: Agreed. Salespeople, whose output is supremely measurable, have long been paid this way. Now that writers' output is equally measurable, it seems inevitable.
@schvitzatura: By the way, I'm a fan of humorous alt tags, too. Former Wonkette Ana Marie Cox and I learned to insert them at the same place: Suck.com.
Huh. "The view count ... can overstate the value of cheap items with superficial appeal, but which damage a site's reputation. Nevertheless, it's the best measure we have, so we're going to use it..."
Reputation, schmeputation. Go low, people. Go really, really low.
@Owen Thomas: why the hell are you hiring people who don't even know how to use alt tags?
@Joe Clark: You don't think we've figured that more >>
I'm skeptical. Yes, there's something to the idea of relationship-building IF the bloggers in question are sticking around for years. But is that really the universe we're talking about? What's the average tenure for a writer with a blog network gig? And will this mythical writer actually put more money in his pocket doing an extra-special good job then he might have churning out commodity volume-filler posts?
Of course it's important to have a strong relationship with one's readers. But in the end it's the editor's responsibility to make sure that the blog owns that relationship -- I visit Gawker, not Owen Thomas. Individual voices are eminently brandable, and can become great businesses. But the biggest content businesses brand businesses, not bloggers.
@raincoaster5: Oh, it's a requirement for Valleywag hires. Can't speak for the other sites.
Looks like the rules to Fizzbin. And look, Paul, you just got a Royal Fizzbin. But, oh, too bad, it's Tuesday, when that's a losing hand.
Well, the scheme's already ruined Kotaku. I've been posting there for 2 years, but it's taken just a week of this for me to quit. Pay more for quality, not for controversy.
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